Rani Rupmati Masjid named for the princess of Dhar who married the Sultan of Ahmedabad, is another fine example of the Indo-Sarcenic blended style. A high central arch, 3 imposing domes, slim minarets, carved galleries and an exquisite mihrab are the high points.
Its three domes are linked together by a flat roof. However, the mosque and tomb of Rani Sipri at Astodia surpasses it for its planning and structural arrangement. Popularly known as Masjid-e-Nagina, this mosque is the most exquisite gem of Ahmedabad.
It also serves as a stylistic interlude between Achut Kuki's and Rani Sipri's mosque. The side entrances in the mosque open out in balcony windows on either side and end in a lattice window. The domes are supported with rows of 12 pillars each where as the smaller domes at the front and the rear of the bigger domes as well as the four corners of the mosque rise in gentle crescents that lend a gentility to the mosque.
The central section is an elevated level that rises above the small flanks and provides for a pierced clerestory, which carries the dome above.
Note how the dome is raised to allow light in around the base but cut out the glare of the sun.
Nearby are the superbly proportioned 1465 AD mosque of Muhafiz Khan, splendidly carved with a 3 arch façade and minarets, the Saiyad Usman mausoleum - said to have started a trend for corner minarets in 1460s and the 16th century mosque of Hasan Muhammad Chisti having some of the finest jali-work traceries in India.
